{"id":1241,"date":"2022-06-17T15:40:17","date_gmt":"2022-06-17T13:40:17","guid":{"rendered":"https:\/\/opusvocale.de\/?p=1241"},"modified":"2022-07-26T13:13:39","modified_gmt":"2022-07-26T11:13:39","slug":"midsommar","status":"publish","type":"post","link":"https:\/\/opusvocale.de\/?p=1241","title":{"rendered":"Midsommar"},"content":{"rendered":"\n

Samstag, 2. Juli, 21 Uhr, Friedenskirche (Potsdam)<\/strong>
Sonntag, 3. Juli, 20 Uhr, St. Canisius, (Berlin-Charlottenburg)<\/strong><\/p>\n\n\n\n

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Werke von Parkman, Olsson, Sandstr\u00f6m, Rautavaara, Kverno, Sibelius, Grieg, Alfv\u00e9n, Peterson-Berger, K\u00f5rvits<\/h3>\n\n\n
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Gibt es einen typisch „skandinavischen Sound“? Drei Generationen skandinavischer Chormusik vom Ende des 19. Jahrhunderts bis heute sind in unserem „Midsommar“-Programm zu h\u00f6ren – v<\/span><\/span>on d<\/span>er romantischen Klangf\u00fclle Edvard Griegs bis <\/span><\/span><\/span>hin <\/span><\/span><\/span>zu<\/span><\/span><\/span>r<\/span><\/span><\/span> zeitgen\u00f6ssi<\/span><\/span><\/span>schen Klangsprache<\/span><\/span><\/span> <\/span><\/span><\/span>von <\/span><\/span><\/span>Sven-David Sandstr\u00f6m <\/span><\/span><\/span>oder T\u00f5nu K\u00f5rvits, <\/span><\/span><\/span>die vor allem du<\/span><\/span><\/span>rch Cluster-<\/span><\/span><\/span>Harmonien<\/span><\/span><\/span> und komplexe Rhythmen charakterisiert ist. <\/span><\/span><\/span>Viele der kirchenmusikalischen Werke<\/span><\/span><\/span>, <\/span><\/span><\/span>die wir hier pr\u00e4sentieren,<\/span><\/span><\/span> sind vom reichen Volksliedgut der skandinavischen L\u00e4nder gepr\u00e4gt. Und trotz aller Unterschied<\/span><\/span><\/span>e zwischen den Generationen und<\/span><\/span><\/span> Kompositionsstile<\/span><\/span><\/span>n<\/span><\/span><\/span> <\/span><\/span><\/span>scheint es <\/span><\/span><\/span>ihn zu geben, diesen typisch nordischen Klang: eine schlichte Klarheit, ein inneres Leuchten, <\/span><\/span><\/span>eine<\/span><\/span><\/span> lei<\/span><\/span><\/span>se<\/span><\/span><\/span> Melancholie.<\/span><\/span><\/span><\/p>\n\n\n

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Christian Raudszus <\/strong>Cello<\/em>
OPUS VOCALE
<\/strong><\/p>\n

Volker Hedtfeld<\/strong> Dirigent<\/em><\/p>\n\n\n

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2. Juli:<\/strong>
21 Uhr,<\/strong> Friedenskirche<\/a> \u2022 Am Gr\u00fcnen Gitter 3, 14469 Potsdam<\/p>\n

Karten sind zu \u20ac15 (erm\u00e4\u00dfigt \u20ac12) an der Abenkasse erh\u00e4ltlich.<\/p>\n

\u2192Karten online bestellen<\/a><\/p>\n\n\n

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3. Juli:<\/strong>
20 Uhr<\/strong>, St. Canisius<\/a> \u2022 Witzlebenstra\u00dfe 30, 14057 Berlin<\/p>\n

Karten sind zu \u20ac15 (erm\u00e4\u00dfigt \u20ac12) an der Abenkasse erh\u00e4ltlich.<\/p>\n

\u2192Karten online bestellen<\/a><\/p>","protected":false},"excerpt":{"rendered":"

Samstag, 2. Juli, 21 Uhr, Friedenskirche (Potsdam)Sonntag, 3. Juli, 20 Uhr, St. Canisius, (Berlin-Charlottenburg) Werke von Parkman, Olsson, Sandstr\u00f6m, Rautavaara, Kverno, Sibelius, Grieg, Alfv\u00e9n, Peterson-Berger, K\u00f5rvits Gibt es einen typisch „skandinavischen Sound“? Drei Generationen skandinavischer Chormusik vom Ende des 19. Jahrhunderts bis heute sind in unserem „Midsommar“-Programm zu h\u00f6ren – von der romantischen Klangf\u00fclle Edvard […]<\/p>\n","protected":false},"author":1,"featured_media":1247,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[39,4],"tags":[70,71,72],"class_list":["post-1241","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-konzertarchiv","category-konzert","tag-grieg","tag-sibelius","tag-skandinavien"],"_links":{"self":[{"href":"https:\/\/opusvocale.de\/index.php?rest_route=\/wp\/v2\/posts\/1241","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/opusvocale.de\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/opusvocale.de\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/opusvocale.de\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/opusvocale.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1241"}],"version-history":[{"count":11,"href":"https:\/\/opusvocale.de\/index.php?rest_route=\/wp\/v2\/posts\/1241\/revisions"}],"predecessor-version":[{"id":1265,"href":"https:\/\/opusvocale.de\/index.php?rest_route=\/wp\/v2\/posts\/1241\/revisions\/1265"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/opusvocale.de\/index.php?rest_route=\/wp\/v2\/media\/1247"}],"wp:attachment":[{"href":"https:\/\/opusvocale.de\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1241"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/opusvocale.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1241"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/opusvocale.de\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1241"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}