{"id":1264,"date":"2022-09-12T18:47:35","date_gmt":"2022-09-12T16:47:35","guid":{"rendered":"https:\/\/opusvocale.de\/?p=1264"},"modified":"2022-11-26T12:43:51","modified_gmt":"2022-11-26T11:43:51","slug":"zeitmaschine-liszt-gesualdo","status":"publish","type":"post","link":"https:\/\/opusvocale.de\/?p=1264","title":{"rendered":"Zeitmaschine &#8211; Liszt &#038; Gesualdo"},"content":{"rendered":"\n<hr class=\"wp-block-separator\"\/>\n\n\n<p style=\"text-align: center;\"><strong>Dienstag, 22. November, 20 Uhr, Konzerthaus Berlin (Gro\u00dfer Saal)<\/strong><\/p>\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n<p><strong>Franz Liszt <\/strong>\u201eNuages gris\u201c<br><strong>Franz Liszt <\/strong>Bagatelle ohne Tonart<br><strong>Franz Liszt <\/strong>\u201eLa lugubre gondola\u201c<br><strong>Don Carlo Gesualdo da Venosa <\/strong>\u201eO vos omnes\u201c (aus den Karmetten-Responsorien)<br><strong>Franz Liszt <\/strong>\u201eApr\u00e8s une lecture du Dante\u201c &#8211; Fantasia quasi Sonata (aus \u201eAnn\u00e9es de p\u00e8lerinage, Deuxi\u00e8me ann\u00e9e: Italie\u201c)<br><strong>Don Carlo Gesualdo da Venosa <\/strong>\u201eEcce quo modo moritur iustus\u201c (aus den Karmetten-Responsorien)<br><strong>Franz Liszt <\/strong>\u201eLes jeux d&#8217;eau \u00e1 la Villa d&#8217;Este\u201c (aus \u201eAnn\u00e9es de p\u00e8lerinage. Trois\u00e8me ann\u00e9e\u201c<br><strong>Franz Liszt <\/strong>\u201eCs\u00e1rd\u00e1s macabre\u201c<br><strong>Don Carlo Gesualdo da Venosa <\/strong>\u201ePlange quasi virgo\u201c (aus den Karmetten-Responsorien)<br><strong>Franz Liszt <\/strong>\u201eB\u00e9n\u00e9diction de Dieu dans la solitude\u201c (aus \u201eHarmonies po\u00e9tiques et religieuses\u201c)<\/p>\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n<p><strong>C\u00e9dric Pescia <\/strong><em>K<\/em><em>lavier<\/em><\/p>\n<p><strong>OPUS VOCALE <\/strong><em>Chor<br><\/em><strong>Volker Hedtfeld<\/strong> <em>Chorleitung<\/em><\/p>\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n<p>Es gibt Musik, die aus der Zeit gefallen scheint \u2013 und die Jahrhunderte in die Zukunft weist. Das Raumklangkonzert, ganz im Dunkel und in der Mitte des leeren Saals platziert, konzentriert sich auf zwei Vision\u00e4re, die nach wie vor avantgardistisch wirken: Franz Liszt (19. Jahrhundert) und Carlo Gesualdo (16. Jahrhundert), die ohne Vorwarnung alle Gepflogenheiten ihrer jeweiligen Zeit ad acta legten und uns auch heute noch staunen lassen.<\/p>\n<p><a href=\"https:\/\/www.konzerthaus.de\/de\/programm\/22-11-2022\" target=\"_blank\" rel=\"noopener\">Details und Karten hier<\/a><\/p>\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Dienstag, 22. November, 20 Uhr, Konzerthaus Berlin (Gro\u00dfer Saal) Franz Liszt \u201eNuages gris\u201cFranz Liszt Bagatelle ohne TonartFranz Liszt \u201eLa lugubre gondola\u201cDon Carlo Gesualdo da Venosa \u201eO vos omnes\u201c (aus den Karmetten-Responsorien)Franz Liszt \u201eApr\u00e8s une lecture du Dante\u201c &#8211; Fantasia quasi Sonata (aus \u201eAnn\u00e9es de p\u00e8lerinage, Deuxi\u00e8me ann\u00e9e: Italie\u201c)Don Carlo Gesualdo da Venosa \u201eEcce quo modo [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":1216,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[39,4],"tags":[76],"class_list":["post-1264","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-konzertarchiv","category-konzert","tag-gesualdo"],"_links":{"self":[{"href":"https:\/\/opusvocale.de\/index.php?rest_route=\/wp\/v2\/posts\/1264","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/opusvocale.de\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/opusvocale.de\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/opusvocale.de\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/opusvocale.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1264"}],"version-history":[{"count":3,"href":"https:\/\/opusvocale.de\/index.php?rest_route=\/wp\/v2\/posts\/1264\/revisions"}],"predecessor-version":[{"id":1269,"href":"https:\/\/opusvocale.de\/index.php?rest_route=\/wp\/v2\/posts\/1264\/revisions\/1269"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/opusvocale.de\/index.php?rest_route=\/wp\/v2\/media\/1216"}],"wp:attachment":[{"href":"https:\/\/opusvocale.de\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1264"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/opusvocale.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1264"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/opusvocale.de\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1264"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}